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Young Jeezy and Shawty Redd is all the time a lethal combination, and “Who Dat” off the previous’s third album The Recessionis certainly one of their most celebrated collaborations. Chief Keef, who owes a thing or two to this period of Atlanta rap, has decided to pay tribute to the record with a freestyle today. His barked delivery is not all that completely different than Jeezy’s rasp, and he does the horror movie-theremin beat justice. Genius is the final why does the post-medieval skull in the video have such bad teeth word supply of music information, created by students like you who share details and perception concerning the songs and artists they love. Fifteen minutes after he arrives, Reese walks over and snaps a bandana playfully in opposition to Keef’s head. Keef wakes up, stands up, and he and Reese stroll toward the entrance door with out saying a word, the interview forgotten.

In an interview with a Baltimore radio station earlier this 12 months, Lupe Fiasco claimed that Keef “scared” him, and observed that Chicago’s killers appeared like Keef. What he neglected to say was that Chicago’s victims, by and large, seem like Keef too. As essentially the most seen adults concerned in the career of the young artist, Keef’s administration staff has obtained considerable flack. Peeda Pan, who deals primarily with the rapper’s stay bookings, is defensive about what his role in managing Chief Keef entails. Shortly before Keef hit the stage, the Chicago Police, on orders from Alderman Proco Joe Moreno, blocked anybody from entering the Congress.

Gangs turned fractured; the sense, notably among the many older era, was that gang violence has turn into an uncontrollable chaotic drive, driven by intoxicated youngsters devoid of regret or empathy. Many observers thought-about them monsters or savages. To many older Chicagoans who recall a more authoritarian gang era, Keef represents all the worst traits of this widened era gap.

Mobb Deep’s The Infamous explored these exact themes again in 1995. With Keef there are onion-layer ranges of generational conflict, jagged tears between old and new hip-hop heads, within generations of gangster rap, and inside Chicago’s streets. Part of the fascination stems from his mysterious relationship to violence and avenue tradition as properly as the epidemic of crime now gripping Chicago. Homicides within the nation’s third-largest city are up 38 p.c in 2012, when it was already twice as violent as Los Angeles and thrice as lethal as New York. Somehow, Keef has turn into a poster boy or a scapegoat for all this violence, as if a 17-year-old kid held all the answers. As if stopping his rise from the streets to a profitable career would stem the tide of bloodshed.

They get into an all-black SUV with black-tinted home windows; Keef’s is the only one open. He seems up, waves up at onlookers in the Loft, and as the black window slides shut, the SUV pulls away and Chief Keef disappears. Every time something occurs, it seems to only further public fascination. Peeda and Merk Murphy are two figures in Chicago’s hip-hop scene who have spent years throwing shows and selling artists. Their company Payola, Inc. works carefully with Keef’s main manager, Dro.